# A plugin profile — machine-readable facts about Octet.
#
# Host this next to your plugin as profile.ttl and it can be read by this
# catalogue and by anything else that speaks RDF. It is yours: edit it, version
# it with the plugin, and it stays correct because you control it.
#
# The subject below is the plugin's homepage, which is what identifies it here.
# If you would rather use your own namespace, change that one IRI and keep the
# foaf:homepage line, so the two can still be joined up.
#
# Terms: https://plugin-universe.com/ns   Guide: https://plugin-universe.com/about/profiles

@prefix trn:  <http://purl.org/stuff/transmissions/> .
@prefix pu:   <http://purl.org/stuff/plugin-universe/> .
@prefix rdfs: <http://www.w3.org/2000/01/rdf-schema#> .
@prefix foaf: <http://xmlns.com/foaf/0.1/> .
@prefix schema: <https://schema.org/> .

<https://strandz.it/jigdaw/plugins/octet/>
    a trn:PluginProfile ;
    rdfs:label "Octet" ;
    rdfs:comment "Eight-band parametric equalizer, stereo, with 12 and 48 dB cuts, shelves, bells and notches, Left/Right and Mid/Side modes, a spectrum analyser and a graphic editor with a draggable node per band. A fresh instance passes the signal unchanged." ;
    trn:vendor "danja" ;
    foaf:homepage <https://strandz.it/jigdaw/plugins/octet/> ;
    trn:format trn:Jig ;
    trn:role trn:AudioEffect ;
    trn:accepts trn:Audio, trn:MidiCC ;
    trn:produces trn:Audio ;
    trn:requires trn:MidiEvents ;
    pu:category <http://purl.org/stuff/plugin-universe/category/effect> ;
    pu:licenceId "MIT" ;
    trn:caution "The graphic display (the response curves, a node to drag for each band and the spectrum analyser) is the plugin's own editor, offered beside the generated panel where the host can frame it; every control is also on the generated panel. MIDI controllers 1 to 4 on the CC channel drive one band and the output, as in Drift. The panel does not follow them. The 48 dB cuts are 8th-order Butterworth; a corner within a few percent of half the sample rate behaves like a gentler slope, because the bilinear transform compresses the top octave." .